Originator

Scripts from Same Idea

Nothing here right now.
One Perfect Gift
(Based on 1 rating)
License:
Views: 80
Comments: 17
Created 2 years, 5 hours ago
Edited 1 year, 2 months ago
Category: Short Film
Page / 1

Comments
ORIGINATOR
Kate Herrell (Sent 2 years, 5 hours ago)
First real attempt at screenwriting and it's still under construction. Be gentle. :)
Ayokunle Falomo (Sent 1 year, 11 months ago)
Will come back to check it dear. Currently busy right now and I've seen some stuff already, so till then....
ORIGINATOR
Kate Herrell (Sent 1 year, 11 months ago)
Thank you!
Originator found this helpful.
Ayokunle Falomo (Sent 1 year, 11 months ago)
OK, Lemme start off, format-wise
FADE IN should be the first thing; before you write anything at all.

Is the song important to the action taking place or the character or the script in whole? If not, you might want to remove it.

Steer away from using the camera to direct us to what is happening. Try to describe things in a way that won't include the camera.

Writing a scene heading tells the reader that a transition has already occurred, so no need for the CUT TO, except you want to direct this. You might leave or remove it, your call.

You only write the name of characters in CAPITALS for the first time we get to see them, after that there is no more need.

Scene 2: Instead of saying Ellie is seen getting out of the cab...., you might want to write few words to describe this same action. This is how I would write it: Ellie steps out of the cab. Without a pause, she goes into Macy's as she easily navigates through the crowd.

Using the word "seen" kinda makes the reader dumb because it's like telling them exactly what they already know is happening. They want to be involved. Also avoid using to much of verbs in the continuous form, as in drink-ing and use the present form as in drinks....

OK, moving on. 3rd Scene: Who is doing the voice over. Make sure to write the name of the person before V.O. Like I said, beware of the CUT TO.

The MAN sitting on a massage chair is a character too.

You might wanna give the reader something that would make them attached to each character too. For example, who is Amanda?, who is Sarah?, who is David?, what do they look like? Physical descriptions might help a little bit. Even for the SALE WOMAN, you might wanna tell us she's old fat and grumpy, whatever tells us more about her....

You do have amazing writing skills I must confess, especially dialogue and also a sense of direction.

Will be back again, Note to self (page 7). I'm sure you get the gist at least a little now.
ORIGINATOR
Kate Herrell (Sent 1 year, 11 months ago)
You are fantastic. Thank you very much!
Originator found this helpful.
Ayokunle Falomo (Sent 1 year, 11 months ago)
I see you're making improvements. Just don't have the time to point them out now. I hope that encourages you a lil' bit more.
ORIGINATOR
Kate Herrell (Sent 1 year, 11 months ago)
Thank you, I really appreciate it. It's totally fine.
Ricky Rauls (Sent 1 year, 11 months ago)
It like it. I thought that it was worthy of 3.5 stars but they only offered four. Either way I enjoyed it.
  • (4/5 stars)
ORIGINATOR
Kate Herrell (Sent 1 year, 11 months ago)
Thank you! Do you have any feedback to make it worth more? :)
Ricky Rauls (Sent 1 year, 11 months ago)
I have just started writing myself, so I do not have any comments about formatting. I focus on the story and I feel that this is meant to appeal to women. I enjoyed it but I am not the intended demographic.
ORIGINATOR
Kate Herrell (Sent 1 year, 11 months ago)
Understand! Thank you!
Gregory D Goyins (Sent 1 year, 10 months ago)
I can help with the formatting.
But its 5 in the morning here.
bbl.

G
ORIGINATOR
Kate Herrell (Sent 1 year, 10 months ago)
Haha ok, thank you!
Originator found this helpful.
Ayokunle Falomo (Sent 1 year, 9 months ago)
Please don't forget this project. After a long time, it's still appealing, but try to tighten up the script dear. Don't know why I always get to read your scripts at odd times. Lol.
Ayokunle Falomo (Sent 1 year, 9 months ago)
Maybe I'm just lucky, hehe.
ORIGINATOR
Kate Herrell (Sent 1 year, 9 months ago)
Haha thanks. I definitely will, it needs some slimming for sure. :)
Kathryn Luppi (Sent 1 year, 2 months ago)
I really like the scenes between David and Kelly because of the slow burn of their interest in each other. However, in the overall story, David comes across to me as a confused man. His fiance rejects him, his wedding party disappears during the failed wedding, and while he returns wedding presents he tries to hook Kelly into an escape to Florida.She wisely tells him to do some reflecting. David seems to have an affectionate relationship with Elle and to have been in a romantic one with Jen while engaged to another woman (David kisses Jen - not a flashback). I have picked up more angst from the situations in the screenplay than comedy.

Nice weaving of the wedding presents theme throughout to give the story extra meaning but I think some of this escaped me. Elle and Jen wanted to give useless presents (white elephant comment, etc.) but I didn't understand the level of animosity they held toward Julie (fiance). It left questions (not in a good way) in my mind. It's rare that guests to a wedding wrap up and give trash as presents (detestable fish statue and broken vase).

There's something compelling about this story but I felt like it veered off track. I want to understand the reasons for David's hot and cold behavior with women and to identify more with the other characters, I guess.

Admire the way you can convey the relationship and emotion between characters with a short description - i.e., Kelly scribbles on her order pad, shows it to him for confirmation and he nods, smiling. It made me think that these two are intuitively on the same page ...